Armchairs by Arne Hovmand-Olsen for Komfort, Denmark, 1960s, Set of 2

Danish furniture designer Arne Hovmand-Olsen was born in Kirkeby Sogn in 1919. During his formative years, Hovmand-Olsen showed an aptitude for drawing and design and, in 1938, began a cabinetry apprenticeship with the cabinetmaker Peder Olsen Sibast at his eponymous furniture manufactory on Denmark’s island of Funen. Interested in producing his own designs, Hovmand-Olsen enrolled in a technical school specializing in furniture design in Århus in 1941. After graduating, he established his own furniture studio, creating designs in the Scandinavian modern style. His furniture was sold only in Denmark but later found great success when it began to be exported to America.

Hovmand-Olsen’s designs span seating, tables, and secretaries, all of which are characteristically simple in form with clean lines, organic curves, and tapered legs. Like many of his Danish contemporaries, he favored the use of high-quality, beautifully grained woods like teak and rosewood. Notable designs include his Model 175 Chair (1955)—which is often mistaken for N.O. Møller’s Model 77 Chair due to their similar forms—and the Model 240 Lounge Chair for Mogens Kold (1958).

Hovmand-Olsen worked steadily designing furniture for companies such as Alf Juul Rasmussen, A. R. Klingenberg & Søn, Bramin, Elven Geertsen, J.L. Møller, Jutex, Mogens Kold Møbelfabrik, P. Mikklesen, Pedersen & Knap, and Skovmand & Andersen. Sometime in the 1970s, he was forced to close his studio due to illness.

Hovmand-Olsen passed away in 1989.

Danish furniture manufacturer Komfort is known for producing mid-century pieces during the 1950s, and ‘60s by well-known Danish architect-designers Sven Ellekaer, Arne Wahl Iversen, and Ole Wanscher. The pieces - which span tables and various styles of seating  including sofas  and lounge chairs —were designed in the Danish modern style that reigned at the time. The chairs and sofas feature hard angled armrests and bases made out of teak or rosewood, and tended to have cushions upholstered fabric or leather.

Although no information is available on the manufacturer itself, and very little biographical information can be found on the designers, Komfort’s legacy lives on through its representation on the vintage market.