Chrome Side Table attributed to Max Sauze, 1970s

About This Piece

Vintage Design

Max Sauze side table, model Isocele Max Sauze model "Isocele" side table is a fascinating work of art from the 1970s that perfectly embodies the futuristic aesthetic of that era. Designed by the visionary French designer Max Sauze, this side table displays a unique combination of high quality materials and a timeless design. The highlight of the Max Sauze "Isocele" side table is undoubtedly the smoky gray glass table tops. The smoky glass gives the table a mysterious depth and emphasizes the minimalist elegance of the entire design. The glass top is perfectly integrated into the frame and seems to float almost weightlessly on it. The cleaned item weights 4.2 kg / 9.26 lbs.

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Creator	Max Sauze
Manufacturer	Max Sauze (Designer)
Design Period	1970 to 1979
Production Period	1970 to 1979
Identifying Marks	This piece has an attribution mark
Style	Vintage
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Restoration and Damage Details	Light wear consistent with age and use, Wear consistent with age and use.
SKU	JUZ-1669046
Materials	Glass, Metal, Smoked Glass
Color	Silver, brown
Width	31 cm 31 cm
Depth	31 cm 31 cm
Height	47 cm 47 cm
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from	Germany
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Max Sauze

Algerian-French master of metal Max Sauze was born in Algiers in 1933. He studied at the École Supérieure des Beaux-Arts d’Alger (1953- 56) and the École Camondo in Paris (1956-59). Shortly after, he began producing his own designs in a small art workshop in Algiers. In 1963, Sauze moved back to France, to Éguilles near Aix en Provence.

By 1968, Sauze had founded his eponymous company dedicated to working with aluminum—especially in the creation of dynamic, sculptural lighting fixtures. He designs most frequently involve bent and interwoven aluminum strips over steel wire structures. This production process is said to come from Sauze’s spiritual outlook and the essential recurrent nature of life.

Sauze’s most famous designs are named after constellations and other heavenly bodies, like the complexly geometric Cassiopeia Chandelier (ca. 1969), which was originally designed for the Congress Center in Aix en Provence. Other notable works include the Orion Chandelier (ca. 1967)—which was first introduced at the Salon des Artistes Décorateurs—the Uranus Table Lamp (ca. 1970), Isocele Nesting Tables (ca. 1970s).

Sauze’s work, which spans sculpture, gardens, ceramics, lighting, architecture, and books, is emblematic of the art-craft renaissance that occurred in the late 1960s and through the ’70s, a precursor to postmodernism. Though Sauze is now retired, he still lives in Éguillee. His Garden of Éguillee is open to the public, his son, Sebastien Sauze, runs the family business producing his father’s designs by hand.

* Images courtesy of Max Sauze