Masao Ido, Ryōgen-in Garden Kyoto, 1986, Woodblock Print

Traditional 1986 Japanese wood block print of one of the 5 gardens of the Ryōgen-in, a sub temple of the Daitoku-ji Buddhist complex, located in Kita-ku, Kyoto, Japan, constructed in 1502.

Signed and numbered 126/150 in pencil by the artist.

Measurements wooden frame : W.48 x H.63 x D.3 cm.

Colors may slightly vary due to photographic lighting sources or your monitor settings.

Masao Ido was born in November 1945, in the town of Beipiao, located in China. During this time, the region was still under the shadow of the tumultuous events of World War II, which significantly influenced the lives of many Japanese citizens abroad. Ido's early years were marked by the complexities of post-war relocation and the restoration of Japanese culture and identity.

Artistic Training

Upon returning to Japan, Ido immersed himself in the study of traditional Japanese arts. He studied under several notable artists, absorbing techniques and philosophies that would later define his work. He was particularly influenced by the Sosaku Hanga movement, which emphasized the artist’s hand in every step of printmaking, from design to carving to printing.

Career and Artistic Style

Masao Ido developed a unique style characterized by serene landscapes and the use of vibrant, yet harmonious colors. His work often depicted natural scenes such as mountains, rivers, and traditional Japanese architecture, rendered with meticulous detail and a deep sense of tranquility. Ido's prints are known for their serene atmosphere, evoking a sense of calm and reflection.

Ido's dedication to the craft of woodblock printing set him apart from many contemporaries. His method involved painstaking attention to detail, where he often spent weeks or months perfecting a single print. His ability to balance traditional techniques with his own artistic vision made his works stand out in exhibitions both in Japan and internationally.

Notable Achievements

Masao Ido’s works have been exhibited in numerous galleries and museums worldwide, gaining him recognition not just in Japan, but also among international art collectors and enthusiasts. Some of his notable exhibitions have been held in the United States, Europe, and various parts of Asia. His prints are highly sought after by collectors, and they have contributed significantly to the appreciation of Japanese woodblock art globally.

Legacy

Masao Ido passed away in 2016, leaving behind a legacy of exquisite woodblock prints that continue to inspire and captivate art lovers around the world. His works remain a testament to the enduring beauty and complexity of traditional Japanese printmaking, ensuring that the techniques and aesthetics of this art form are preserved for future generations.

Ido's life and career are celebrated for their contributions to the continuation and evolution of Japanese woodblock art. His ability to blend traditional methods with contemporary themes ensures that his works remain relevant and revered within the global art community.