Pine Wood Stool attributed to Charlotte Perriand for Les Arcs, 1950s

About This Piece

Vintage Design

Stool designed by Charlotte Perriand for Les Arcs ski Resort, circa 1960, manufactured in France. Pinewood. In nice condition, with wear consistent with age and use, preserving a beautiful patina. Charlotte Perriand (1903-1999). She was born in Paris in 1903 and attended the E´cole de l'Union centrale des Arts de´coratifs from 1920-1925. Charlotte Perriand designed furniture made of anodized aluminium and chromium-plated steel, showing it at the 1927 Salon d'Automne in Paris. After meeting Le Corbusier, Charlotte Perriand worked with him and Pierre Jeanneret until 1937. The revolutionary tubular steel furnishings and system furniture designed by the three were presented as E´quipement de l'habitation (home equipment) at the 1929 Salon d'Automne where they were widely acclaimed. In 1930 the Union Des Artistes Modernes (UAM) was founded in Paris, a group that viewed itself as a countermovement challenging such establishment organizations as the Salon d'Automne and also advocated Art Deco and Modernism. from 1931 Charlotte Perriand showed her own work solo there. In 1937 Charlotte Perriand and Pierre Jeanneret collaborated on designing a mountain chalet of sheet aluminium, which they showed at the Exposition Internationale des Arts et Techniques dans la Vie Moderne and later they came up with plans for prefab houses made of aluminium. In 1940 Charlotte Perriand became a design consultant to the Japanese Board of Trade. She lived in Japan until 1946 and from then on Charlotte Perriand's designs reveal overtones of the Japanese feeling for form, as shown by the 1953 chair "Synthe'se des Arts".

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Creator	Charlotte Perriand
Manufacturer	Charlotte Perriand (Manufacturer)
Design Period	1950 to 1959
Production Period	1950 to 1959
Country of Manufacture	France
Identifying Marks	This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style	Vintage
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
SKU	WM-1904353
Restoration and Damage Details	Wear consistent with age and use.
Materials	Pine
Color	Brown
Width	43 cm 43 cm
Depth	32 cm 32 cm
Height	39 cm 39 cm
Weight Range	Standard — Between 40kg and 80kg
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from	Spain
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

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Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Charlotte Perriand

Born in Paris in 1903, Charlotte Perriand studied at the Ecole de l’Union Centrale des Arts Décoratifs. In 1927, inspired by his architectural treatises, Perriand persuaded Le Corbusier to employ her. He put her in charge of prototype production and public presentations of the studio’s work. In collaboration with Pierre Jeanneret, Perriand developed a series of tubular steel chairs, which were—and are still today—hailed as icons of the machine age.

In 1940, she travelled to Japan as an official advisor on industrial design. When Japan joined the war, she found herself trapped in Vietnam from 1942 until 1946. During her exile, Perriand studied local techniques of woodwork and weaving. She returned to France intent on introducing straw and bamboo to modern design.

Back in France, Perriand continued her work with Le Corbusier and Prouvé. She was integral to the design of Le Corbusier’s Unité d’Habitation in Marseille. She remained an influential figure in the modern movement until her death in 1999.