Summer 83 Sara O2 Side Chairs by Babel Brune

Eté 83 Sara O2 armchair by Babel Brune Dimensions: D 63 x W 54 x H 67 cm, Seat H 35 cm. Material: Suede velvet 380g / m², steel. The O2 Sara armchair from Eté 83 collection is an ode to the languid warmth of Italian summers. A sweet nostalgia for borrowed rhythms and cozy atmospheres. It gives prominence to Indian ink and stencil drawing techniques to offer a rich interplay of textures highlighted by deep colors and our now signature velvet suede. The O2 Sara armchair will go wonderfully with the O2 Tom armchair from the same Eté 83 collection or the O2 Elios green & blue armchair. The Armchair 02 brings together the expertise of several trades, all located around Lille, France. The textile artworks and patterns are all exclusive to Babel Brune, imagined and developed in-house, with the invaluable help of our partner textile designers. Babel Brune was created by Clémence Barker Canler. For the past ten years, she has traveled across Asia to develop new products and source decor and furniture for the European market. from the cabinetmaking workshops in Rajasthan or the Bali's textile workshops, she explores the materials and craftsmanship for which she is a passionate. Returning to Europe, she opens her eyes to what she had not learned to appreciate before these experiences. She relearns to observe, to be inspired, and becomes a real sponge to all this aesthetics that makes her vibrate. Until that creativity becomes too pressing not to be addressed. She had to find a way to welcome this creative bubbling and respond to its deep convictions. She dreams of new modes of consumption, alternatives to the classic circuits for selling furniture in Europe based on imports. This is how Babel Brune was born. By creating objects of character, combining craftsmanship and artistic inspiration, it relies on its operational expertise to express its creativity in an assertive and uninhibited way and participate in the creation of new modes of consumption. At Babel Brune we have a particular knowledge, that of adapting to the expertise, know-how and artistic sensibilities that surround us on each project. Each trade having its respective constraints, we are building a common language capable of transcending them to, together, create beauty. In this sense, Babel Brune echoes the Myth of the Tower of Babel.